Advent song for December 6

Now, you could argue that musically this is the worst of all the versions of this song, and I don’t know that I would disagree. But I like it because there’s no Bono, and because it came out at the height of my period of interest in the charts, so I am intimately familiar with the oeuvre of everyone involved, although I had forgotten just how much Marti Pellow sounds like Vic Reeves singing in the club style.

Kylie looks literally exactly the same here as she does now, which is both cheering and mildly alarming. Speaking of which, this version is also better than the original because it has actual women in it, who are allowed to sing lines of their own rather than being relegated to the chorus. Go, Lisa Stansfield! Go, Sonia! Go, mid-period incarnation of Bananarama!

http://www.youtube.com/watch?v=9VgyF0i5EfM

Advent song for December 5

I didn’t know before I started researching this project that Jackie Wilson’s Reet Petite, originally written in 1957, was the Christmas number one in 1986. I assumed that it had been re-released following Jackie’s death, but since he died in January 1984 that doesn’t seem like an obvious leap of logic. But it’s a terrific song, so whatever the reason, I’m glad that it’s given me a chance to include it here.

Tomorrow, an actual Christmas song!

 

Advent song for December 4

Girls Aloud’s Sound of the Underground, in 2002, was the first reality TV Christmas number one. None of us realised then that Cowell would have the slot sewn up for most of the rest of the decade.

I like this song a lot, but I think the video is misjudged. It should have been cool and edgy, not slow-motion and faux-sexy, although faux-sexy seems to be what Girls Aloud mainly do, stylewise, which is a shame because if they weren’t forced into dressing like a teenage boy’s idea of a prostitute they would all be – they all are – properly sexy anyway. At least they all have their own hair in this video.

http://www.youtube.com/watch?v=OnLrNHCQPP0

Advent song for December 3

This was originally on the rejects pile, but the song I was going to have today isn’t on YouTube, except in a long and tedious version, so instead here’s Whitney, UK Christmas number one in 1992, when she was still insanely beautiful. I hope that whoever  cast Kevin Costner, the most insipid man in the world, as (a) a bodyguard and (b) Whitney Houston’s love interest has since found a job better suited to their talents.

This version cuts the song off a little before the end, but if you’re like me you’ll find you won’t mind that a bit. Perhaps you can use the spare time to listen to Dolly Parton’s superior version (just don’t read the comments underneath).

Advent song for December 2

2003 was a vintage year for Christmas songs. We were treated to Avid Merrion’s Proper Crimbo, which was fun, but which I now discover has a very long and mostly stupid video, and The Darkness’s Christmas Time (Don’t Let The Bells End), which was properly brilliant. And instead we chose to make Gary Jules’ melancholy and slightly drab version of Mad World our Christmas number one. The two reasons to be grateful for this are that (1) it gave us a mesmerisingly terrifying performance from the much-missed Aiden in this year’s X Factor, and (2) it’s given me a reason to check out the video, which is actually quite lovely:

(Also, just be pleased that the other two inhabitants of that week’s top five, Happy Christmas (War is Over) by the Pop Idols and Changes by Ozzy and Kelly Osbourne, missed out on the top slot.)

Advent song for December 1

I’ve been so busy with real life (about which more in the new year, I expect) that I’ve barely had a chance to post recently, so it’s with a sigh of relief that I realise it’s time to resurrect the annual Gladallover musical advent calendar. I’ve already used up all my favourite Christmas songs, so rather than resorting to all my least favourite Christmas songs, this year I’m introducing a theme. All the songs this year will be UK Christmas number ones from my lifetime, counting down in order from the 24th-best to the best. Since I have been alive for 34 Christmases I have dropped the ten worst, but I’m not going to tell you which they are until Christmas Eve, otherwise you’ll be able to work out what’s coming.

So without further preamble I present the UK Christmas number one from 1980, The St Winifred’s School Choir singing There’s No-One Quite Like Grandma. It’s pretty awful, but it’s sort of mesmerising at the same time. I was four that Christmas, which means these children are probably only a couple of years older than me. What strikes me, when I watch the video, is how completely of their time they look. You could date it to within a couple of years just by the haircuts. Good old the 1980s.

Battlespace: Unrealities of War

I’ve got lots of posts lined up which I’m intending to write sometime soon, but real life keeps getting in the way and now I’m in bed with flu and barely lucid enough to open up the laptop, let alone post. However, this one is time-specific so I’m doing it now before I forget: if you’re in or near London, this exhibition of war photos from Iraq and Afghanistan is full of startling pictures that you won’t see anywhere else, and is well worth paying a visit to.

Some of the photos are quite gory – but then, so is war. More distressing to me, though, were the ones showing the fear in the faces of civilians suddenly confronted by British or American soldiers. We’ll never see photos like these in our mainstream media, because they make it clear that the relationships between ordinary people of the countries involved and our armed forces are difficult and painful, which makes it much harder to argue that we’re anywhere near winning “the battle for hearts and minds”. In fact, in these snippets from daily life we look more like a hostile invading force, which one might argue is exactly what we are. Chilling, heartbreaking and not for the squeamish, but absolutely worth seeing.

More details and info from Great Western Studios.

Badminton

I like to play badminton. I’m not very good at it, but I’m not so bad that it’s not fun. In my last-but-one job we had a badminton league, where you played the three or four other people in your division over the course of a month, and the best player moved up a group and the worst player moved down a group – unless you were already in the bottom group, which I usually was. Occasionally I would make it into the second-bottom group, which was briefly encouraging, but I always went straight back down again. But that was OK, because it was fun, and anyone good enough to mind that I wasn’t very good usually wouldn’t have to play me again.

Then I left that job, and didn’t play for a while, until I noticed that my new workplace also had a badminton group, which played once a week at the local leisure centre, in casual games of doubles whose members swapped in and out over the course of an hour. So I joined, and suddenly it mattered that I wasn’t very good, because I would find myself paired with much better players – usually, I’m afraid, men – who really wanted to win and who would attempt to improve our chances either by shouting at me angrily every time I didn’t manage to follow their inexplicable instructions to the letter, or by creeping up behind me and sweatily showing me how I should be holding the raquet – both courses of action which, naturally, resulted in my playing much more badly than I had already been doing.

So I stopped going. And then I changed jobs again, and eventually I found yet another workplace badminton group to join, so three weeks ago I went along to Kensington Leisure Centre to try my luck again. This was another free-for-all, with two courts booked over two hours and an ever-rotating cast of players, so I was wary of being variously shouted at or molested by people who wanted me to do something other than whatever I was doing. But it was fine: everyone was very nice, and I had a lot of fun, and I ached for two days afterwards and decided I’d definitely go back. And last week I went back, and met the guy who organises it, and partnered him for a game and swiftly realised I was never going to go again. Not only did he shout and tut and sigh heavily at my lack of skills, he also couldn’t tell the difference between my not being able to carry out his instructions, which I couldn’t, and not being able to understand them, which I could. By the end he was speaking the kind of angry, staccato, exaggeratedly loud English popularly supposed to be how British people talk to foreigners, which somehow didn’t seem to improve my backhand at all. But even worse, and I’m almost as cross with myself for not saying anything about it as I am with him for doing it, every time he wanted me to move to a different part of the court, which was often, he would NUDGE ME IN THE BACKSIDE WITH HIS RAQUET.

I know, I should have told him off. I was just so surprised, and so already bowed down with the knowledge of my complete and perfect failure, that I somehow didn’t manage it. But whatever, I’m not going back, so it doesn’t really matter.

But what does matter is that, as I said when we began this conversation (doesn’t it seem a long time ago?), I really like playing badminton. And I feel as though it ought to be possible for me to play it in an environment where I am not told off or sexually harassed on account of not being very good; ideally against someone who, like me, is there for fun rather than because they really want to win, and who won’t mind that I am a bit shit and sometimes need to stop and have a rest. So in a first for gladallover this is a heartfelt appeal: if you are in London and are that person and would like to play badminton with me, please let me know.  But I ought to warn you, I’m a bit shit.

Holiday time

I’m accidentally got a Christmas head on me two months too early, having been to see a charming snowbound Norwegian film called Home For Christmas at the LFF this week, and it’s been exacerbated by my having just made the Christmas pudding. Now is about the right time to do it, but it puts me into the festive spirit too soon.

So I am remedying it with this summer song by Hildegard Knef, which raises my spirits in quite a different way. Enjoy.

Millwall

Crystal Palace played local rivals and legendary nutters Millwall on Saturday, and lost by a goal to nil, leaving us second from bottom of the Championship. So why did the game leave me in a good mood? I think there are three reasons:

  1. There was a really good atmosphere, despite the segregation of the away fans in a heavily police-protected area of the Arthur Wait stand. Whole sections either side of the Millwall supporters were deliberately kept empty so as to provide a buffer between them and the home fans, and although somebody let off a smoke bomb at kick-off and a bunch of the fans swarmed one of the empty sections, we didn’t see any real trouble. Since we were accompanied by elegant American friends for whom sport is something that’s mainly meant to be fun, this was excellent.
  2. We had great seats – five rows back in the Main stand, close to the players’ tunnel and mere feet from the action. We only had one opportunity to catch the ball when it came out of play, but it was still exciting. And the three most notable incidents of the game (a goal, a sending off and the removal of a Millwall fan who had infiltrated the home supporters’ end) all happened in our corner of the pitch.
  3. All of our players are about seventeen, and although we lost the game, we looked the better side for long stretches of it. There’s plenty of surprises left in this season, and as Yazz once memorably said, the only way is up.*

* May not be strictly true.