A little spot of festive baby-murdering from the goddess that is Alison Moyet (like me, more of a tenor than an alto). This is from a 1987 compilation album, A Very Special Christmas, which was released to raise money for the Special Olympics and has a number of other treats on it; some, all or none of which may make it on to our list.
I don’t know if this is intrinsically cheerful – the verse about killing babies, at least, probably isn’t – but it’s such a beautiful, haunting carol that I always get a tingle up my spine when I hear it. This version is by the Westminster Cathedral Choir, but there are lots of recordings, from the sublime (this) to the ridiculous (this).
I have a good link, rather than a piece of good news, for you today: this 4K restoration of the Last Christmas video is so crystal-clear that there’s a sort of cognitive dissonance going on, because this was evidently only recorded last week. I know I said no George Michael (sorry Lucy), but this is too good to skip.
I like the carols whose names bear no relation to their words. I also like carols which come in at least two versions. Happily, the Coventry Carol is both, the name apparently coming from the song’s origins as part of a 16th-Century mystery play that was traditionally performed in and around Coventry, and here’s a story to send a shiver down your spine: it only gained popularity as a Christmas carol when, in 1940, shortly after the city was bombed, the BBC broadcast a performance of it from the ruins of the cathedral.
But you were already shivering, if you know this carol, because it’s what the mothers of newborn children sing as they try to protect them from Herod’s Massacre of the Innocents, so it is not just haunting but sinister, and thus best served by its original tune, which is also both of those things, although the newer setting by Kenneth Leighton is beautiful, and since the King’s Choir have obliged us by performing them both, and since it’s Saturday and you probably have time to listen to them both, here they both are. It gets sunnier, but only slightly, tomorrow.
Kenneth Leighton setting (the comments on this end up involving the featured soloist, and are worth reading if you have even more time to spare):