Category Archives: Arts

It’s the little things

I always have a couple of books on the go – one on the Kindle; one flesh-and-blood, in case I need to read in the bath. Usually they’re two completely different sorts of book: I will often read trashy, disposable stuff on the Kindle so as not to (a) waste shelf space and (b) have anyone know that I’m reading it. But just now my Kindle book is Within A Budding Grove and my real-life book is 1982, Janine and I am switching between the two more or less indiscriminately, and it occurs to me that they are weirdly similar.

I mean, sure, one is a French, hundred-year-old exploration of young love, loss and grief and one is a Scottish, thirty-year-old sexual fantasy, but both take place in the minds of lonely old men lying feverishly in bed, and both are characterised by an obsessive, fetishistic obsession with detail for its own sake. One is about memory and one about invention, but both have the feeling of a dream, because none of what is described is happening at first-hand.

Nicholson Baker and Primo Levi, two of my favourite writers in the world, both write in compulsive, time-slowing detail, so I should be congratulating myself on a happy pair of choices, only I have just discovered from reading that Wikipedia page that À la recherche du temps perdu IS UNFINISHED, which is something I feel like I should have known about before I committed to its 4,215 pages. Oh well. I guess I’ll just have to enjoy the ride.


Billy Liar

If you need some reading matter to tide you over the post-lunch lull, I have written a piece on Billy Liar for Mostly Film today.


Oscars: the hangover

I should have posted this on Monday, but it took me two days to recover from staying up until 5.30am on Oscars night, liveblogging for Mostly Film. But I’m better now, you’ll be pleased to hear, so I’ve gone back and done the maths and I am delighted to be able to inform you that I did beat my 50% hit rate from last year, though not by much – I correctly predicted 15 of the 24 winners, which (I think, I’ve never been brilliant at sums) works out at 62.5%. The joy is tempered slightly – only slightly – by the fact that the beloved managed 19 out of 24, but I console myself with the knowledge that had I allowed myself to change my mind in the moments before some of the awards were announced, I would have done better (it was pretty obvious by halfway through the night that Jessica Chastain for actress, Lincoln for picture and Spielberg for director were all going to be off the mark, though I still wouldn’t have guessed at Ang Lee, even though I am glad he won because he’s so nice).

Anyway, that’s enough of that. On to the dresses! It wasn’t a standout year, I think. There was less beige than usual, but it was mostly replaced by bridal white (click on images to enlarge):

Amanda Seyfried, Jennifer Lawrence and Anna Hathaway, Charlize Theron

Amanda Seyfried, Jennifer Lawrence and Anne Hathaway, Charlize Theron

Vampy black:

Rebecca Miller and husband, Jenna Dewan-Tatum, Sandra Bullock

Rebecca Miller and some guy, Jenna Dewan-Tatum, Sandra Bullock

Or a combination of the two:

Helena Bonham Carter, Kelly Rowland and Zoe Saldana

Helena Bonham Carter, Kelly Rowland and Zoe Saldana

Also popular were metallics:

Catherine Zeta Jones, Naomi Watts, Nicole Kidman

Catherine Zeta Jones, Naomi Watts, Nicole Kidman

…so popular, in fact, that Halle Berry and Stacy Keibler, wearer of my favourite dress from last year by miles, wore his’n'hers versions of the same dress:

Halle Berry and Stacy Keibler

All of which made anyone who turned up in a bright colour look very daring, although it’s far to say that Jane Fonda’s choice was, in fact, pretty daring:

Jane Fonda in canary yellow

This actually hurts my eyes

I had two favourites in the end. Jenna Dewan-Tatum is clearly one of those women who looks even better pregnant – look at her literally glowing in that picture at the top of the page! – and I love her dress, even though it’s the same as everyone else’s. But for me the very best combination of dress, hair, makeup and all-out movie-starry stunningness came from Jessica Chastain:

Jessica Chastain

How can you turn up looking like this and not win a prize?

In a non-vintage year not just for frocks but for both the ceremony and the winners too, it’s good to know that there are still nominees who can turn up and knock it out of the park, even if they don’t go home with the prize.

Next year, though, I might take two days off work afterwards.


Something special…

…from The Oatmeal today.


Advent song for December 24: Auld Lang Syne, Scotland/Bedford Falls

I know it’s really a New Year song, but I couldn’t resist the chance to include a clip from the best Christmas film of all, and if they can sing it on Christmas Eve in Bedford Falls, then so can we. Also, I visited Scotland for the first time as an adult this year and fell in love with it, so it feels entirely appropriate to finish up with a little bit of Burns.

If you haven’t seen It’s A Wonderful Life then cancel your plans for the rest of the day and go and watch it immediately. If you have, remember that the following clip will make you cry, so don’t watch it on the train or at the office (and what are you still doing at the office? Go home!).

<A pause while you recompose yourself>

Together, all these songs provide about an hour of music, which as it happens is about how long you’ll need to eat the main course of your Christmas lunch, so as a Christmas present to you, here is a Spotify playlist of them all. Sadly Song’s song from Korea isn’t on Spotify (at least, it probably is, but I have no idea what it’s called so I can’t check), so in its place England finally gets a look-in with the King’s singers rendition of Adam Lay Ybounden. The clip from It’s A Wonderful Life is a bit longer and I’ve had to use different versions of one or two of the songs, but otherwise it’s largely the list you’ve already seen and heard here. Happy Christmas!

(If the embedded version doesn’t work for you, here’s a boring old link.)


Advent song(s) for December 23: An Austrian-German double bill

I have aways had a few more songs floating around my list than there was strictly going to be time for, and since tomorrow’s song is all tied up and has been since before we started, today is the last chance to sneak in a spare. Also, I feel like today is the last day before Christmas when you might have time to stop and listen to three different songs (I have included two versions of one of them). Tomorrow is a short sharp burst of Christmas goodness, but today let’s wallow in it.

From Austria, here is the lovely Stille Nacht, composed by Father Joseph Mohr and Franz Xaver Gruber in the early part of the nineteeth century, first performed on Christmas Eve 1818 in Oberndorf bei Salzburg and just about the most famous Christmas song in the world (or maybe the second most famous, but more on that another time). There is almost nobody you can think of who hasn’t recorded a version at some point, but for authenticity’s sake here is the Vienna Boys’ Choir, sounding as good as you’d expect them to:

Today’s second song is O Tannenbaum, which started out as a Silesian folk song, was turned into a tragic love song by Joachim August de Zarnack in 1819 and then, by the addition in 1824 by Ernst Anschütz of two more verses, into a Christmas song, and don’t say I never spoil you because today you are getting two versions: a gorgeous German one sung by the Tölzer Knabenchor, and the Vince Guaraldi Trio’s arrangement for A Charlie Brown Christmas, because that’s the one that really makes me feel Christmassy.

(If you object to the Hollywoodification of a traditional and originally non-Christmassy song, incidentally, you might want to exercise caution when visiting tomorrow, and if you think you can guess the final song from that clue let me know and if you’re right I’ll send you a prize.)


Advent song for December 22: W żłobie leży, Poland

W żłobie leży is a traditional Polish carol dating from the seventeenth century, and it’s another one which has made it, via various adaptations and translations, into English, as Infant Holy, Infant Lowly. I really like the original, especially in this beautifully crackly 1946 recording made by the Poznań Nightingales, founded in 1939 and taken over in 1945 by the conductor, composer and teacher Stefan Stuligrosz, who was just 19 at the time and who remained associated with the choir until his death in June this year at the age of 92.

Do watch the video (or slide show, really) which “Oliver K” has lovingly put together to accompany the recording:

 


Advent song for December 21: And now for something completely different…

Nollaig Shona from Dublin, whence I bring you a very special and personally dedicated Christmas song. A few weeks ago when I put out a call for Christmas songs from around the world, Tom (who also featured in this calendar last year) was in Korea, doing something artistic with the Korean National Dance Company, so he thought he’d get them to sing us a Korean Christmas song. As Tom put it:

Only one of them was capable/willing. Unlikely as it sounds, her name IS actually Song.

So here is Song from Korea, singing a song from Korea. I’m not sure what it’s called, but it’s AMAZING, and if you listen closely you will notice that it is also dedicated to all of you:


Advent song for December 20: Black Christmas, USA

It’s a mistake to put a song from the USA so close to a song from Canada, but I slipped up about a week ago and posted the wrong song, and since then my schedule’s gone out of the window and I’ve been making it up as I go along. I’ve also had to ditch the idea of including a song from England because I couldn’t find any good audio or video recordings of the Sheffield carols, which were what I wanted, and I couldn’t work up the enthusiasm to find an alternative. You already know enough English Christmas music anyway, right?

This is yet another song which I can’t tell you much about, even though it only dates from the 1970s. I can’t even tell you who it’s by or when it was written, but it sounds American, and the artist is the Harlem Children’s Chorus, so we can safely assume they are American, at least.

The song was suggested by@shacker and whilst it’s in a different mode from most of the rest of my choices, once I’d heard it I couldn’t not include it. Once you hear it I hope you’ll agree.


Advent song for December 19: Birjina gaztetto bat zegoen, Basque Country

You probably know this one better as “Gabriel’s Message”, but this arrangement is intended to replicate the original Basque version of this lovely carol, about the origins of which I have been able to find out almost nothing. And it’s another one whose title I can’t translate – “Birjina” is “virgin”, of course, but then I get stuck. If you should happen to speak Basque, do let me know what the rest of it means.

Something slightly odd happens in the last few seconds of the audio, but if you ignore that, this is a good’un.


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